AND
ANDLouie Austen has been around for longer than you may realise. Over 10 years earlier, Louie has leaped from thriving as an enigmatic night club crooner to one of the most exhilarating performers electronic music has to offer and this being in his 60ies!
„Art must be a matter of life and death – otherwise it’s not art“ is Louie´s sincere conviction. Just like "I´ll never retire, I´ll probably die on stage but I don´t give a fuck!" One thing the Viennese Electro-crooner doesn’t go for is doing things by half. Whatever he does is done with his fullest commitment – and often regardless of the consequences. Admittedly, this reckless attitude has gotten him into serious trouble time and again. And yet it also made him what he is today: a man who finds himself an upcoming and sought-after artist whose career hasn’t yet reached its climax.
Part of Louie Austen’s appeal lies in the fact that he has not entirely discarded the entertainer in this metamorphosis. He brought many things along for the ride, and his know-how of how to entertain with verve and how to put on a great show, his charm and charisma, the style & vocabulary of the urbane entertainer he had cultivated so long serve him equally well in the electronic underground. He is a mediator who mixes various genres, some of which were previously regarded as incompatible. For several years now he has managed to resolve alleged contradictions and break down prejudices – jazz and dance beats, advanced age and youth culture, smart style and underground. “In a way I stand for a kind of reconciliation“, he describes his unique position, “a bridge between old and new or between young and old.“
And indeed, Louie Austen does have a talent for bridging differences, which makes his role in the music business all the more important. And that’s not all – Louie even has the ability to dispel existential angst. “Now that I’ve seen you“, so many young people tell him after a show, “I’m no longer afraid of growing old.“ It’s hard to think of a better compliment.
There’s a hell of a lot going on in the life of Louie: Early 2007 he even founded his own label LA Music – Louie Austen Music – which has given birth to three EP releases thus far; the "Summer Love” record, the "(Dreams Are My) Reality" Richard Sanderson cover feat. Senor Coconut & His Orchestra and in the summer of 2008 a coop with Commercial Breakup from Berlin, former keys-man of Blumfeld as on the “Too Good To Last EP”. With the cool cats of Senor Coconut Louie´s been touring on their “Around The World” tour and was featured on their album by the same name.
2009 Louie came up with a love confession to Amy Winehouse – the Parov Stelar production “My Amy EP” released on Stelar´s label Etage Noir. The guys of Tjumy / Whare did a couple of remixes of Louie´s “Coconut Girl” which got released on a remix EP, with “Take Your Time” Louie recorded a duet with Polish singer and actress Ada Fijal. Also he was on board for the remix cruise of Australia´s Bag Raiders for their “Turbo Love Remixes” and he crooned over “Deep Time Thunderstorm” by Kontor´s Coco Fay.
June 2010 marks the release of the new Phonique album “Kissing Strangers” on Dessous with Louie delivering the vocals for the highly romantic “Endless Love” & the new Rodion EP “Rodion Forever” featuring Louie on a cover of Bruno Martino´s 50s classic song beauty “Estate”. In Autumn Louie´ll appear on a new Eric D´Clark EP and on the upcoming Maertini Broes. Album. Of course other numerous muzical coops are planned to avoid boredom in the Austen stables.
Finally this summer there´s be a single-omen (“Paris / Make Your Move Remixes”) for the longawaited album follow-up to 2006`s “Iguana”: Yes, in Fall 2010 the new studio album of Louie will be released on his own label LA MUSIC and it´ll even be a double album – album & remixalbum by the name of “Last Man Crooning / Electrotaining You!” Excitement excitement.
Here´s the luscious remixer list which will get you drooling: Acid Washed (Record Makers), Christopher Just, Frittenbude (Audiolith), Ian Pooley, DJ Naughty (Gigolo), Matzak (Boxer Rec.), Rodion (Gomma), Eric D`Clark, Phonique, Mike Vamp (Maertini Broes.), Remute, Kinky Movement, Rampue (Audiolith), Ruede Hagelstein (Lebensfreude Berlin) and Bxentric.
Alas Louie´s not only involved in music, he likes the moving images and fine art of theatre, too – at the Viennese "Burgtheater" he had a part in an adaption of Johann Nestroy's play "Höllenangst" which even was taken back into programme Summer 2009 as it´s been so popular with people. Also he´s got his fingers in the film bizness - "The Counterfeiters / Die Fälscher" of Stefan Ruzowitzky got an OSCAR for best foreign movie and includes a cameo of Louie as a casino gambler. Louie also appeared as Karl in the Austrian short movie „Lounge“, an hommage to the film noir movies of the 1940s directed by Armin Bointner of Progressive Pictures.
On top of this all Mr. Austen is of course regularly swooning and crooning in clubs worldwide & has a weekly residence at the Cascade Bar of the Marriott hotel in Vienna by the name of “Louie´s Saturday” with various programmes, including Best of Ratpack songs. Every Saturday there except for the summer break in July and August is a Louie´s Saturday.
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But how did it all get started? Louie´s still astonished about the formidable status he´s achived, in a scene whose very existence he had not even been aware of ten years ago.
Time for a flashback: In 1999, the bustling Viennese Electro scene gives birth to a new and surprising idea. A Viennese electronic producer contrasts his experimental electronic tracks with Louie Austen’s velvety voice. He had run into the classic jazz crooner in a studio and immediately proposed a collaboration.
Austen, then 53 years old, had already led an eventful life in various parts of the world and could look back on an equally eventful performing career. After immigrating to South Africa and Australia he had performed in clubs and on stages in New York, Pittsburgh and Las Vegas during the 70s. After his return to Vienna, the crooner entertained the guests at the Klimt-Bar of the Vienna Hilton before he took over the entire entertainment for the Marriott Hotel. A safe job and well paid, too. Additionally, Austen wrote and produced shows like “Viva Las Vegas“ or “American Superstars“, played parts in several movies and toured both Europe and the USA with show programmes.
Yet Austen is intrigued by the electronic beats and sounds of the young generation. When the first album “Consequences“ (1999) is well received in the club scene and the first concerts turn out promising, Louie makes a courageous decision. “I decided there and then to resign from all other jobs and to completely dedicate myself to this new project for a period of two years“, he recalls. “I reflected that, if I’d find myself in the street after those two years, I’d have to go back to my old jobs. But I wanted to try out this new direction under all circumstances – I simply had to.“
It was a decision that was true to the nature of a man who sees himself as always searching and filled with a childlike curiosity. Who is always ready to accept new challenges and gladly accepts the fact that not all of them can pay off. But Austen simply abhors routines and artistic stagnation. “To try something new every single day – that’s what keeps me alert and on the ball, young and active.“
Naturally Austen wasn’t prepared to terminate the experiment after two years. Instead he collaborated with Viennese electronics pioneers on two more albums, “Only Tonight“ (2001) and “Easy Love“ (2003). Austen appreciates that his involvement with electronic music was a stroke of luck for him. “A very special phase of my career began when I was 53“, he gratefully acknowledges, “from which my life has enormously benefited over the last years, since I can perform my own songs and find an audience for them.”
His new music allows Austen a transformation from a pure entertainer, who assumes the roles of those he pays tribute to, into an artist in his own right, no less. “I’m quite grateful for having followed my instincts back then, despite the fact that some of my friends tried to dissuade me“, he says retrospectively.
DISCOGRAPHY:
"CONSEQUENCES" (Album - Cheap 1999)
"ONLY TONIGHT" (Album - Cheap/Kitty-Yo 2001)
“AMORE” (Single – Cheap/Kitty-Yo 2001)
"HOPING" (Single - Cheap/Kitty-Yo 2002)
"EASY LOVE" (Album - Cheap/Kitty-Yo 2003)
KORSAKOW FEATURING LOUIE AUSTEN "OPEN UP YOUR HEART" (Single - Komfort 2005)
"MORE" (Single - Universal 2005)
"HEAVEN'S FLOOR" (8 Track EP - Universal 2005)
“HEAR MY SONG: THE BEST OF LOUIE AUSTEN” (Best Of - Tirk Records 2006)
"IGUANA" (Album - klein records 2006)
"DISCO DANCER" Remixes (Single, klein records 2006)
„SUMMER LOVE EP“ (EP – LA Music 2007)
"DREAMS ARE MY REALITY EP"( EP – LA Music 2007)
„TOO GOOD TO LAST EP“ (EP – LA Music 2008)
„MY AMY EP“ (EP – Etage Noir 2009)
ADA FIJAL FEATURING LOUIE AUSTEN “TAKE YOUR TIME” (Single – PatPong Records 2009)
"MAKE YOUR MOVE RUEDE HAGELSTEIN REMIX" (Limited Edition Vinyl - Lebensfreude, 06th of August 2010)
"PARIS / MAKE YOUR MOVE REMIXES" (Digital-Single - LA Music, 30th of August 2010)
"LAST MAN CROONING / ELECTROTAINING YOU!" (Double Album 2CDs - LA Music, 22nd of October 2010)
MUSIC VIDEOS:
“REMEMBER” – directed by Tina Schula for cheap, 1999
“AMORE” – first version, directed by Tom Kimmig for kitty-yo, 2001
“AMORE” – second version, directed by Tina Schula for cheap, 2001
“HOPING” Matthew Herbert´s High Dub remix, kitty-yo / cheap, 2002
“MORE” – Universal, 2005
“BOOM BOOM” – directed by Progressive Pictures, 2007
“DREAMS (ARE MY REALITY)” – directed by Progressive Pictures, 2007
ADA FIJAL FEATURING LOUIE AUSTEN “TAKE YOUR TIME”, 2009
RODION FEATURING LOUIE AUSTEN "ESTATE" - directed by Patrick Spanbauer, 2010
"MAKE YOUR MOVE RUEDE HAGELSTEIN REMIX" - directed by Lebensfreude, 2010
PRESS QUOTES:
“Lounge wizard Louie Austen resembles nothing less than your devilishly dashing bachelor uncle. His English is straight out of a Sinatra comedy and his conversation is littered with `50s showbiz expressions.” DAZED & CONFUSED
„Louie Austen manages to sustain the element of class that the rat-pack possessed whilst adding an extra spark of modern originality.“ CHIC TODAY
'Louie Austen could brag about having the most contrasting musical career of all - he has a voice and lounge panache that could give even Sinatra a run for his limo' CLASH
"The smoothest voice on the Eastern side of the Pond, and quite the fashion statement too if I do say so myself." FREDDIE DEJESUS
“Frank Sinatra meets Kraftwerk - a definite must see” BLOOM FESTIVAL
„This guy is the perfect mix between Sinatra, Barry White and Leonard Cohen on steroids!!“ FAN COMMENT
"Hail the birth of Croonwave! Enjoyed best with a great deal of alcohol, a mirror ball, many (drunk) friends, and ladies...you'll want to pack an extra pair of panties to throw on stage. Yeah, Louie's that hot. Just ask Peaches." PROPERLYCHILLED
„Der Jugendkult ist ein Auslaufmodell. Senioren sind die neuen Sexsymbole.“ POLYLUX / ARD
“Dem verführerischen Charme das Altmeisters erliegt die Clubszene schnell.“ MTV
“Louie Austen weiss seinen Novelty-Schmäh so einzusetzen, dass er in beiden Welten geliebt wird: im Unterground-Club gleichermassen wie beim Ärztekongress.” INTRO
„Live-Show besuchen und sich umhauen lassen von Louie Austens Präsenz, seinem Charme und seiner Stimme. Stimmliche Königsklasse!“ MUSIKEXPRESS
„Komplett in Neonlicht getaucht und dazu Louie Austen– Spart euch den Flug nach Nevada, bewahrt euch vor der Spielsucht und geht eine Runde tanzen!“ SPEX
"Augenzwinkernd und lässig zieht er seine ironische Bilanz musikalischer Trends und Moden. Der Mann hat Charisma!" LOOP
“Kann man Louie Austen nicht mögen? Aufgrund seiner Präsenz und langen Erfahrung kann er zu vielen Musiken singen und von jeder Bühne aus Zucker geben.” GROOVE
"Gallionsfigur der Best Ager! Seine Songs hören sich genauso elegant an, wie seine Anzüge aussehen und prickeln so angenehm wie ein gutes Glas Champagner. Wunderbare Leichtigkeit und Frische. Da wähnt man sich direkt unter den Palmen der Còte D`Azur. Louie Austen ist ein Tausendsassa und verzaubert mit schmeichelnder Stimme und hippen Beats sowohl Best Ager als auch Teenies." STERN
"Niemand auf der Welt singt so glaubwürdig von Lust, Liebe und Leid wie Austen. Da kann Bublé einpacken und wirkt noch grün hinter den Ohren. Frank Sinatra goes Elektrodubswing." FRANKFURTER RUNDSCHAU
"Der perfekte Gentleman, der perfekte Entertainer. Wir können nicht genug kriegen von den herrlich entspannten Songs mit Gänsehautbassstimme. Mehr von dem Frank Sinatra auf Housebeat! Mehr von diesem Sex-Appeal und dem strahlenden Lächeln. Der Charme des Entertainers ist überwältigend und trifft jeden mitten ins Herz. Dieser Mann entspricht den Superlativen und ist nicht nur groß, sondern großartig." IMMERGUT FESTIVAL
"Der unvergleichliche Crooner aus Österreich ist produktiv wie nie zuvor und begeistert mit einer Mixtur aus Pop, Easy Listening und Elektronik." MUSIKWOCHE
“Noch besser als jemals zuvor. So glamourös kann also das Altern sein.” MOTOR.DE
LINKS
myspace:
/louieaustenmusic & /louieausten
facebook:
louie austen music
CONTACTS
LABEL & ARTIST MANAGEMENT + PROMOTER OF MR. AUSTEN:
LA Music / Louie Austen Music
Siress Carina "7cut" Elter
office hours mon-fri 10am-6pm
phone: +43-(0)699-1904-7825
BOOKINGS WORLDWIDE (Ex-Germany): MIOOOW! Wolfgang Mitter
Mobile +43 676 517 34 95 wolfgang@miooow.com
BOOKINGS GERMANY: INTERACT / Hardy Meinhof
Mobile: +49 176 4880 2710 hardy@interactbooking.com